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Lina Tay

Life in Death

Water > Pacific Ocean > Deep sea > Sea > Dead Sea > Israel > Water supply >  Jordan > Arabs > War > Palestine

This is a rough outline of the research process from the word “water” to what I am doing, titled “Life in Death”. The irony and metaphorical meaning of the Dead Sea is the main theme of this project.

The Dead Sea is dead. Due to its salinity, making the environment extremely harsh to live in, no living thing can flourish under such circumstances and hence, it’s name. However it being dead, life still thrives. The mineral left behind in the dead sea and the minerals that are washed up ashore has known healing properties for curing skin diseases, curing their skin problems. The minerals are also used in skin products as it also promotes renewal of cells. People flock to the dead sea because of these healing properties and some, also to have fun in the water as human bodies can float effortlessly in the water because of it’s salinity.

Ironically, the countries surrounding the Dead Sea are not as peaceful as the Dead Sea. Israel, Palestine and Jordan are neighbouring countries around the Dead Sea, however, they are always having disputes and fights, and sometimes even war. Many innocent lives are lost in this never-ending disagreements between them. The tension of these 3 countries have been going on for many many years, and still on-going till this day.

Despite all the deaths around the Dead Sea in Israel, Jordan and Palestine, it still sits peacefully right in the middle of them three geographically.

Could they be metaphorically like the Dead Sea?
Could there still be life in death for them?

 


 

A contemporary art exhibition space will be set up to convey this message.
Accompanying a booklet that will be available at the exhibition space as a take-away for the visitors.
And a poster, promoting this exhibition space.


 

 

Exhibition

A top down flat-lay view of the exhibition space.
Literally taking the concept words of “Life in Death” to the overall layout of the exhibition.

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Overview of exhibition space.
The walls are the walls of the border between Israel and Palestine. There will be a levered tank of Dead Sea water in the middle circle section and a pile of Dead Sea salt in the middle of it. The exhibition booklet will then be placed on top of the pile of salt where people can take home.
The exhibition is design in such a way where people coming from the respective section of the “Death” layer will cross-path in the middle “Life” section in order to see the other sections from the “Death” layer.

 

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The writings of the accounts of people in the country regarding the other two neighbouring countries.
A gun wrapped in their respectively flag hangs in the middle of the section representing the war and deaths present in their countries.

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Flat layout of the countries in the “Death” layer.

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Architectural model of exhibition layout

 

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Booklet from the exhibition

Booklet will be places in the middle of the exhibition on the pile of salt from the Dead Sea. There will be a handwritten summary text in the booklet summing up the text on the wall in the booklet for each of the country’s thoughts. Tracing paper is used to show the layering of their thoughts and the ethereal feeling of life in death. Minimal colors are present to show the contrast between life and death/ white and black.

 

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Exhibition Promotional Poster

The exhibition promotional poster also has tracing paper behind the dye cut of the circle to show that the word ‘life’ is literally in the black circle of ‘death’, showing a layering effect on the viewer.

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So is there Life in Death?